They both thrive in the head of award-winning author Heather Day Gilbert, whose fiction can immerse readers into either world. Heather’s newest Viking historical, Forest Child, released this month, and she’s offering a free ebook copy to a randomly-chosen commenter on this post. [Draw closed Nov. 25, 2016.]
Janet: Welcome, Heather, and congratulations on your newest release. In both of your genres, you create heroines we can relate to, strong yet vulnerable. Except for your novella, Out of Circulation, they’re each married women. How important to you is exploring the relationship dynamics this brings to each story?
Heather: Thank you for those kind words on my characters, Janet! Ever since I started writing novels, I’ve had a burden for writing about married women and their struggles. Married characters have just always been intrinsically interesting to me… all the way back to those Janette Oke books that featured them. I feel that married love is so much deeper and more powerful than dating love. When we’re married, we see each other at our worst, we sacrifice for each other, we grieve together… and yet if we do it right, our love grows even stronger because we are fully committed to each other.
Janet: So true, and since part of the reason we read about others’ struggles is to learn for our own, we should be seeing a lot more of this. Along with the relationship themes, your novels also involve a fair bit of action. Which aspect of the writing comes easier: the characters or the plots?
Heather: Definitely the characters. Then I have to plug them into a rough plot (my plotting is really loose and involves chapter highlights) and then ask myself what would this character really do in this situation?
Of course, with mysteries, you have to stretch it a bit, because if I were off chasing baddies and having showdowns with cold killers like Tess Spencer, I daresay my hubby would force me to stop my sleuthing “hobby.” Although Thomas Spencer tries to do this, he hasn’t quite succeeded.
Often, my characters surprise me with what they say and do. There is this line that Ref says to Freydis in Forest Child that I didn’t see coming, yet when I typed it, I knew it was exactly what he would have said. It was both brutally honest and quite vulnerable, and it made me mad, just as it did Freydis. (if you read it, try to guess which line that is—you might know, Janet! 😉 )
Janet: Forest Child is, what, your fourth novel in print? You’ve said this was the hardest novel to write – why so? And was it worth it in the end?
Heather: Hm. It’s actually my fifth in print (God’s Daughter, Miranda Warning, Trial by Twelve, and Out of Circulation preceded it). Yes, this was definitely the hardest one I’ve ever written, for several reasons. First, I had to build the simple Icelandic saga accounts of Freydis into a fleshed-out story. That involves matching up timelines, events, and even some wording.
Second, what Freydis did in the saga accounts was something so horrific, it took me over two years to really come up with reasons why a woman would be driven to such actions. I honestly prayed God would give me ideas about that, and He did. While the reason shocked me somewhat, I knew it was a perfect catalyst for her actions. Historically, Freydis was domineering, she was wild, she was a warrior, she was rude, and the list goes on and on. The true challenge was drawing this character so readers could empathize with her.
Finally, I had to fully get into Freydis’ head because I write in first person present tense, which meant I had to be her for a while. I was kind of afraid her way of thinking might trickle into my own thoughts, but as I wrote her, I realized that in some ways, we were already similar. Acknowledging that was rather terrifying, but ultimately it turned into something that was freeing, for me and for her. So yes, I feel the angst of writing Forest Child was worth it and I know the story turned out exactly the way it needed to.
Janet: You did a fantastic job making Freydis both shocking and relatable. I think her inner vulnerability, which she didn’t even see at the start, made a strong connecting point for readers. And for me, even the worst of what she did seemed like a perfectly natural outflow of her character.
As well as vibrant characters who make realistic choices, how important to you is each novel’s setting?
Heather: In the Viking novels, setting is obviously crucial (from describing the Viking voyages to their foods and longhouses), so that requires a lot of research on my part. I wish I could visit the Viking locales in Newfoundland, Iceland, and Greenland, but I haven’t been able to yet. I do the best I can with photos and my imagination.
I have noticed that in every one of my books, there is a forest scene. I think it’s because I spent a lot of time in the woods growing up. My West Virginia mystery/suspense is really what I know, because I grew up in WV and I live here now. The ways of the Appalachian people, the winding mountain roads, the issues this state is having with drug addiction… all these things play into my contemporary stories. I don’t go into paragraphs of descriptive detail, a la Thomas Hardy (whose writing I love, BTW), but I hope I include enough description that my readers can see the books playing out like a movie in their heads, which is what some reviewers have said.
Janet: Your forest scenes feel alive to me, likely because the ones of my childhood are similar. Now, my favourite question: What might happen if Tess from your Murder in the Mountains series met the Viking heroines, Gudrid and Freydis?
Heather: Oh my word! I can’t imagine! Tess would probably get along okay with Gudrid, since they both had traumatic childhoods and they might have similar issues. But Freydis and Tess… boy, that would be a clash of the titans! Let’s just hope neither of them would be armed! LOL!
Janet: Could make for an interesting time! Heather, thank you so much for visiting today, and for these fantastic reads. The care you invest in your writing shows in the finished books.
Heather is offering one free ebook copy (epub or mobi format) to a randomly-selected commenter on this post. Entries close at midnight, Nov. 25, EST. To enter, scroll down to the comments field. Just for fun, share something you either know or wonder about the Vikings.
Determined to rise above her rank as the illegitimate “forest child” of Eirik the Red, Freydis launches a second voyage to Vinland to solidify her power and to demand the respect she deserves. She will return home with enough plunder to force her brother, Leif, to sell her the family farm in Greenland.
But nothing can prepare her for the horrors she must confront in Vinland… and nothing can stand in her way when her family is threatened.
In her race to outrun the truths that might destroy her, Freydis ultimately collides with the only enemy she cannot silence—her own heart.
Historically based on the Icelandic Sagas, Forest Child brings the memorable, conflicted persona of Freydis Eiriksdottir to life. This immersive tale is Book Two in the bestselling Vikings of the New World Saga.
HEATHER DAY GILBERT, a Grace Award winner and bestselling author, writes novels that capture life in all its messy, bittersweet, hope-filled glory. Born and raised in the West Virginia mountains, generational story-telling runs in her blood. Heather is a graduate of Bob Jones University, and she and her husband are raising their children in the same home in which Heather grew up. Heather is represented by Rebeca Seitz and Jonathan Clements of SON Studios in FL.
Heather’s Viking historical novel, God’s Daughter, is an Amazon Norse Bestseller. She is also the author of the bestselling A Murder in the Mountains mystery series and the Hemlock Creek Suspense series. Heather also authored the Indie Publishing Handbook: Four Key Elements for the Self-Publisher. Find out more at heatherdaygilbert.com.