In the fall of 1986, Phoebe Crain supports
her mother and her 5-year-old daughter on her scant earnings as a small-town
piano tutor. It’s a long way from the concert stage, but it lets her hide from
a past that’s left her bitter.
Spence Newland the Third, owner of the
local department store, represents everything she’s come to despise and
distrust—or does he? Her daughter, Maura, discovers his kindness.
In this historical romance, Phoebe and
Spence each have past hurts that threaten to keep them from discovering a
future that would bring young Maura the father she’s been wishing for.
Unwrapping Hope is a prequel
novella that leads into Sandra Ardoin’s Widow’s Might series. The Widow’s Might
circle is a group of widows in the town who, whether rich or poor, meet for
support and to knit scarves etc for the nearby orphanage.
The author does an excellent job of
setting the scene and the atmosphere, and I found the historical details
interesting. I don’t think of this specifically as a Christmas story, but it
does run through fall and finish on Christmas Eve. So while it can be enjoyed
any time of year there might be an extra resonance in the season leading up to
At the same time, she would eat the crow she already smelled cooking. [Kindle location 257]
Years ago Phoebe had seen a similar look in the mirror. If she could go back in time, she would shatter the glass. [Kindle location 378]
Verbenia was the durable thread that kept the emotions of each member of the [Widow’s Might] circle from unraveling. [Kindle location 412]
Enduring Dreams, the next book in
the Widow’s Might series, releases in 2020. For more about historical romance
author Sandra Ardoin and her books, visit sandraardoin.com.
[Review copy provided by the author.
Opinions are my own.]
At 50, Libby has lived with her
grandmother since childhood and is mourning Gram’s recent death. Her lifelong
dream is to own her own home, away from the tenement where she’s been raised. She
also longs to recreate Gram’s signature soup recipe—perhaps in hopes of
restoring the sense of home Gram provided.
Her friend, Sibyl, is about 10 years
younger and likes to think she’s found her security in spirituality and sensuality.
Sibyl is convinced she knows what Libby needs while having no understanding of
her friend’s grief.
Paige is a young woman working at the
Laird Mansion Museum in the next state, pushing to finish her research paper
before her baby arrives. She’s obsessed with finding a more personal side to
the now-deceased MDM Laird and with clearing his name of hints of scandal.
The Red Journal is a
carefully-imagined novel for the literary, even scholarly, reader who likes to
chew over a novel and tease out its depths. Libby and Sibyl are each searching
for sacred spaces in their own ways, and the heart of MDM Laird’s manor is
another sacred space.
The story begins with Libby and Sibyl en
route to visit the Laird Museum, and alternates this present with the recent
past leading up to the journey. I would have found it an easier read in a
linear timeline. Movement between multiple timelines is often done, and I’m not
sure why it didn’t work for me here. It might be the short distance back in
time, or the short duration of the “present” museum tour itself. Breaking the
tour into sections may highlight the journey to the heart of the manor, and
I’ve seen other readers commenting on enjoying the “dance” between timelines.
As well-written as each scene is, the
novel felt long to me. I don’t think we needed as much of Libby’s soup-making
and apartment-packing, Sibyl’s travels, or even as much depth in Paige’s
research. I wonder, in fact, if the story needed Sibyl’s point of view at all.
Possibly any key information in her scenes could have been introduced through
Libby’s observations. As with a good soup, condensing could have strengthened
the flavour, and readers would have still been able to observe two women’s very
different searches for sacred space.
The novel also includes journal excerpts,
perhaps to give readers extra clues to tease out the full story before Libby
discovers it herself.
Sibyl’s point of view scenes often share
rich memories of exotic travels, which will appeal to readers who love to
travel (and armchair travellers). Her mashup of various spiritual beliefs shows
its hollowness but might still sound appealing enough to lead seekers astray.
On the other side of belief, MDM Laird’s
Bible-based faith has a few mentions and there’s some reference to God as
“Father” near the end. The faith thread has enough hints for people who know
their Bibles—even MDM’s name, Moses David Melchizidek—but biblical literacy is
not a given for most mainstream readers.
I appreciated the chance to read about 40-
and 50-year-old protagonists, as well as the (fictional) historical character
MDM Laird’s exemplary relationships with the Native Americans he invited to
dwell on his estate. His focus on keeping their families together was a
refreshing counterpart to the true-life travesties imposed by both American and
Deb Elkink is a skilled, award-winning
author who writes at a deeper level than I can easily plumb. I’ve had to work
harder than I like to figure this one out, and I’m not sure I have it yet. I
think the concentric layout of the Laird Mansion Museum estate somehow connects
with the choice of narrative structure, circling back upon itself.
The Red Journal has a strong
sense of place, in the unfolding history of the land around the manor and in Sibyl’s
vividly-rendered exotic travelogues, which feel like the author has visited in
person. Although the characters sometimes frustrated me, I appreciated the
Deb Elkink has also written The Third
Grace (a novel) and Roots and Branches: The Symbolism of the Tree in the
Imagination of G.K. Chesterton (nonfiction). For more about the author and
her work, visit debelkink.com.
On the one hand, Going Back Cold is
a science fiction novel about a small group of scientists based in Antarctica
experimenting with faster-than-light technology. But it’s also an exploration
of the different ways people grieve.
In year one of the four-year research and
development project, Dr. Jane Whyse discovers she’s pregnant with her second
child. After the baby girl is stillborn, Jane, her husband Dr. Lucas Whyse, and
their young son Sebastian continue work on the project. Both committed
Christians, Jane and Lucas find their faith shaken. Lucas is working through
his grief, but Jane appears trapped in her anger. Her research soon becomes her
The science is intriguing (I can’t say I
understood it, but I expect that in science fiction). The observation of a
small group of people interacting in a closed environment is interesting, too.
The Whyses’ grief is instructive for those who haven’t experienced a
significant loss—and I expect it’s affirming for those who have. And the
ethical dilemma Jane’s obsession unleashes could come from near-future
Negatives: This is Christian fiction, and
I was surprised to find the occasional mild profanity, as well as some crude
comments. (Yes, I know some Christians swear, but it always catches me
off-guard in real life and in books.)
Positives: There are some delightfully
geeky references, and Jane and Lucas are transparently honest with God about
Jane was determined to have her family cake and eat the career, too. [On bringing their young son with them to the research base. Kindle location 268]
Good luck seeing God in me. I’m broken and failing when I try to rebuild. There aren’t words for where I am, none that make sense anyway. But I believe it. I will believe it. And I trust You. God, it hurts, but I trust. I will believe. [Lucas’s personal log. Kindle location 1941]
Kelley Rose Waller has also written The
Senator’s Youngest Daughter. For more about the author and her work, visit kelleyrosewaller.com.
[Review copy provided by the author. My
opinions are my own.]
You might think that after pet-sitting a
ball python, Belinda Blake can handle anything, but she’s not too sure about
wolves. Yes, it’s a rehabilitation sanctuary, and yes, they seem friendly, but
they’re still wild animals. With sharp teeth.
When someone is found dead and bloody in one of the wolf pens, common sense tells her to bail on her contract and take the consequences. But the wolf preserve is short-staffed and she doesn’t want to let the owner down.
Once she begins to suspect someone staged the “wolf attack” to shut down the preserve, she’s determined to stay.
I’m enjoying this series for the
mysteries, but also for the characters. Belinda is a computer gamer and
book-lover, transplanted from a rural environment into a wealthy neighbourhood.
Jonas, one of her friends from home, looks promising as a love interest,
although her landlord’s absent son caught her attention in book one. And Red,
the chauffeur/bodyguard on the estate where she rents a carriage house, is an
interesting background character.
For the literary and theme-inclined, there
are some interesting correlations between Belinda’s story and the novel her
long-distance book club is discussing. The Great Gatsby is not a book I
know well, so I missed some of the effect.
“…it was beyond me how I would feed raw eat to wolves without looking like an oversized, tasty morsel myself.” [Kindle location 260]
And when one of the other characters
laments the need to lean so much on others, Belinda observes:
“Sometimes leaning is the only way to stay upright.” [Kindle location 1566]
Definitely recommended for cozy mystery
Heather Day Gilbert is an award-winning
author of Viking historical fiction and contemporary suspense as well as the
Belinda Blake, Exotic Pet Sitter cozy mystery series. Belinda Blake and the Wolf in Sheep’s Clothing is book 2 in the series. For more
about the author, visit heatherdaygilbert.com.
[Review copy provided by NetGalley and Kensington Books. Opinions are my own.]
After I read Whose Waves These Are,
I went looking for more fiction from Amanda Dykes and was excited to find two
free ebook novellas.
One of those is Up From the Sea, a
prequel novella for Whose Waves These Are. Reading it later let me enjoy
recognizing details significant to the novel, which features the next
generation. It also made me want to go back and read the novel again with this
deeper understanding of the past.
Savannah Mae Thorpe was born and raised in
Georgia, but after her parents’ deaths in 1925 the young woman returns to her
mother’s family in coastal Maine. She doesn’t fit in with her aunt and uncle’s
ways, nor with her cousins, although Cousin Mary used to be a good friend.
A local legend from the 1700s captures her
imagination with a wild hope to save her inheritance. Local lumberjack Alastair
Bliss agrees to help, but Savannah’s quest sounds more like a fairy tale than
Lord, you created the dark just as you created the light. Help me find life there, and not fear. [Chapter 3]
“She was imagination itself.” It felt good to speak of her [Savannah’s mother] with laughter, to feel the jagged edges of grief gentled with fond memory. [Chapter 7]
Vague light seeped in through a window whose wavy glass dripped with time. [Chapter 7]
Amanda Dykes’ tag line is “spinning
stories, gathering grace.” As well as the historical fiction Up From the Sea
and Whose Waves These Are, she’s written the novella, Bespoke: A Tiny
Christmas Tale, and one of the stories in The Message in a Bottle
Romance Collection. For more about the author and her work, visit amandadykes.com.
Catherine West writes with skill and
compassion, tackling hard issues with honesty and sensitivity and enough humour
that this is not a hard read. She gives us real characters to care about,
flawed people who are doing their best and fear it may not be enough.
Her voice is true, whether writing from
the late-twenties/early-thirties central characters of Liz and Matthew,
15-year-old Mia, or the elderly Drake.
And Drake… how many novels include a
character with Alzheimer’s in a positive light? Drake’s voice opens the novel,
and it hooked me from the beginning. This isn’t a victim, but a man navigating
a hopeless situation with grim humour. He may be losing his memory, but his
will is strong. And despite his limitations, he can still make a difference.
Readers who enjoy stories about family
relationships, gentle love stories, and finding healing for past hurts will
love this book.
I see a restlessness in her eyes today, churning like a stormy sea. Like she’s carrying something too heavy but doesn’t have a place to put it down. [Kindle location 3791]
As the Light Fades is a clean
contemporary read with a subtle faith thread and a theme of forgiveness and
grace. Set on the US tourist haven of Nantucket, it features the Carlisle
family readers first met in The Things We Knew.
You don’t have to have read the previous
novel, although I highly recommend them both.
Catherine West writes contemporary women’s
fiction about hard times and hope. For more about the author and her work,
[Review copy provided through NetGalley. My opinions are my own.]
Unexpectedly divorced, 50-year-old Jane
Delight moves into the apartment above her twin sister Rebecca’s cupcake store
near Pennsylvania Amish territory. Rebecca commutes daily by horse and buggy,
but Jane has long since left their Amish ways behind (she does, however, still
have a personal faith).
When an unpleasant customer collapses in Rebecca’s
store and dies, Jane decides to divert suspicion from herself and her sister by
finding the murderer. Some of the comedy that ensues is a bit over-the-top,
like when Jane literally falls into the handsome detective’s arms, but it’s a
light-hearted mystery after all.
Jane’s quirky roommates are part of what
makes this book fun: 80-somethings Matilda and Eleanor Birtwistle and their
The narrative has a distant feel and I did
find it a slow start, especially since Jane’s ex-husband’s dialogue doesn’t
match his role as a successful lawyer. Once he was out of the picture, the
story started to work for me.
Another aspect of the story I enjoyed was
the Amish/non-Amish (English) dynamic, with the perceptions of outsiders and
their awkwardness of knowing quite how to treat Rebecca as an Amish woman.
True Confections is the first
novel in the Amish Cupcake Cozy Mystery series. Ruth Hartzler writes cozy
mysteries, Christian romantic suspense, and Amish romance. For more about the
author and her work, visit ruthhartzler.com.
This is the most beautiful and
heartwarming novel I’ve read in a long time. Satisfying. Peace-inducing and
hope-whispering. Amanda Dykes writes with a gentle, lyrical quality that
invites readers to linger in this tale and savour every page.
Annie Bliss and her great-uncle Bob
(“GrandBob”) have shared a special bond since the summer she spent with him in
coastal Maine as a child. Now his need calls her back to the struggling town of
Ansel-by-the-Sea, away from the soul-drying big-city job where she’s been
The novel follows two timelines: Annie’s
in the present and Bob’s in the past, weaving together to tell a story of great
loss and greater hope. Of light in the darkness and faith in despair. Of
breaking and mending.
The town and its inhabitants add a
richness, evoking the best attributes of small fishing communities where the
locals stand together, no matter what.
See some of the evocative description:
There’s a strength in his stance, as if his feet are putting roots down into the very granite. [page 25]
The past uncoils like a fiddlehead fern, a tender ache with it. [page 81]
This part of Maine was a place like no other spot in the universe, and being back was like finding an old patch of sunlight in a long-lost home, and settling in. [page 86]
I won’t share my favourite line, because
it’s too near the end. You’ll need to find it yourself. It’ll mean more to you
I admit the present-tense narrative jarred
me at times, but even with that, Whose Waves These Are has claimed a
special place in my heart. I’m grateful for the experience.
Amanda Dykes’ tag line is “spinning
stories, gathering grace.” Whose Waves These Are is her first novel, but
readers may know her from her novella, Bespoke: A Tiny Christmas Tale,
or from The Message in a Bottle Romance Collection. For more about the
author and her work, visit amandadykes.com.
When their widowed father announces that
he’s sold the family home and bought an island off the coast of Maine, Cam
Grayson and her sisters are afraid he’s losing his mind. Partly due to this
fear and partly due to life circumstances, each of the women decide to spend some
time with him on Three Sisters Island.
Their father, Paul, plans to renovate the
rustic island camp where he first met his wife. He hopes the family project
will draw his daughters closer together. In the beginning, this is a family who
don’t listen to one another, who may work together but without sharing any
depth of relationship.
The daughters are widely different in
personality and goals. I feel they’re perhaps too much defined by their
dominant traits, to the point I didn’t really connect with any of them. We have
Cam the driven businesswoman, Maddie the counsellor-in-training who analyzes
family members at every opportunity, and Blaine the 19-year-old who can’t
decide on her future path.
Despite a bit of disconnect, I enjoyed the
story. The setting is isolated and beautiful, and I enjoyed watching the camp
restoration. There’s a nice romance between Cam and Seth, the island’s
schoolteacher. Seth’s gentle conversations with Cam about faith are a good
example of natural ways to engage with non-Christian friends in real life.
There are flashbacks sprinkled throughout
the novel and I don’t think they added anything that wasn’t (or couldn’t have
been) conveyed in straight story time. For me they were more of a distraction
than a bonus. The bonus was watching the interaction between teacher Seth and
Cam’s son Cooper.
The driveway unfurled in a lazy curl through strands of trees until it reached the clearing where the old house sat against a windbreak of pines. [page 69, Cam’s first sight of their father’s new house]
“It’s okay to start with a small faith. We’ve got a big God.” [page 220, Seth to Cam]
On a Summer Tide is book 1 in the
Three Sisters Island series, and since Cam was the central sister in this
story, I expect Maddie and Blaine will each be the heroine of their own book as
the series continues.
Suzanne Woods Fisher is a multi-published
author of contemporary and historical novels. For more about the author and her
work, visit suzannewoodsfisher.com.
Should Blanche go home? But how can she
resume life with her legalistic husband now that her growing faith conflicts
with his dogma? And while he denies their shared grief over their daughter’s
William didn’t even go to the funeral. And
he denies the existence of their other daughter, Rachel, who left home many
years ago at 15.
Grace in Deep Waters is book 3 in the
ongoing Grace series (there are more books to come). New readers can start here
and not feel lost, but I’d recommend starting at the beginning with Grace in
The women in this series develop a faith that’s
nothing like the showy façade William has drilled into them. When life
circumstances hit—and hit hard—Esther, Rachel, and Blanche each discover a
truer Christianity and make the hard choices to live for God’s honour instead
of living to satisfy or defy William’s rules.
William is proud, self-centred, and
unyielding. Author Christine Dillon does a fine job of letting readers into his
head to understand him and develop enough compassion to hope he’ll change.
Part of the novel is his story: will he
change or harden himself further? Can he change, even if he wants to?
Another part is a beautiful observation of
Blanche, a fallible woman growing in her faith and trying to find a healthy way
Is this a depressing novel? Not at all.
It’s heartwarming, inspiring, and it can challenge us to prayerfully make
better choices in our own lives.
She’d let fear bind her. What might life be like if she walked free? [Kindle location 288]
The kid turned around and gazed at him with a piercing eye a high school principal would die for. [Kindle location 2159]
Anyone who thinks Christian fiction is
light and fluffy or dry like a dusty sermon needs to read Christine Dillon’s
Grace series. The faith message is strong and clear yet presented organically
through the characters’ thoughts and decisions, leaving readers free to draw
their own conclusions. The questions are real and deep.
in Strange Disguise, the challenge was “what happens when the prayer of
faith doesn’t heal?” In Grace in the
Shadows, it’s “how—and why—would God love me, after what I’ve done?” In Grace
in Deep Waters, characters wrestle with grief, marital breakdown, and that
contentious issue, submission.
As the characters wrestle, readers can
wrestle, too. This isn’t a series that hands out easy answers. Discussion
guides are available on the author’s website, for book clubs or individuals who
want to dig deeper.
Christine Dillon is a missionary whose
tag-line is “multiplying disciples one story at a time,” and the author of the
Grace fiction series. She has also written non-fiction books about the Bible
storytelling approach. For more about the author, visit storytellerchristine.com.