Tag Archives: Canadian authors

Review: A Tumbled Stone, by Marcia Lee Laycock

A Tumbled Stone cover artA Tumbled Stone, by Marcia Lee Laycock (Word Alive Press, 2012)

Andrea Calvert grew up on the Canadian prairies with foster parents who provided for her but were never able to show their love. Now 19 and pregnant, Andrea would rather take her chances alone than live with their silent reproach.

She finds a job and caring friends at Evie’s Diner. Evie, the owner, is a Christian who welcomes the strays she says God sends her. At the moment, that includes Andrea and a young mentally challenged man named Benny, who makes it his mission to protect Andrea’s unborn baby.

Author Marcia Lee Laycock writes with a contagious compassion for her characters. Andrea feels real, as do her foster parents. Edna and Earl aren’t cardboard, rigid people. They’re silent because they’re trapped behind walls of hurt from the past. As Andrea tries to find her own way and the brother she doesn’t know exists tries to find her, this wounded couple move toward finding one another.

The first book in the series, One Smooth Stone, tells the story of Alex Donnolly, Andrea’s older brother, whose experience in foster care was horrific. In A Tumbled Stone it’s good to see how far Alex has come in recovery and in his new Christian faith. He’s a work in progress, and the urgency he feels to find Andrea brings more pressure to bear.

The characters in A Tumbled Stone drew me in. The word “tumble” in the title refers to rock tumbling, which smoothes a stone’s rough edges and texture. Evie makes jewellery from stones, and she tells Andrea “God is always doing things in our lives, but it takes time. He knows exactly when to take the pressure off or to increase it. He knows  just how much tumbling we need.” (p. 76)

Andrea faces more “tumbling” before the book is done.

A Tumbled Stone is a good read that kept calling me back to finish. Marcia Lee Laycock is a gifted writer, and I hope we’ll see more fiction from her. She’s also the author of the non-fiction books Abundant Rain, Spur of the Moment and Focused Reflections. You can learn more about Marcia Lee Laycock and her books at her website.

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A Tumbled Stone, by Marcia Lee Laycock

Fiction by Marcia Lee Laycock

One Smooth Stone was the best Christian fiction I read in 2007. After a long wait, the sequel is finally out: A Tumbled Stone.

Here’s a refresher on One Smooth Stone, and a link to a review of A Tumbled Stone.

One Smooth Stone is a compelling read about hurt people fumbling toward healing, and about a God who won’t let go.

Marcia Laycock’s writing style is vivid and rich with sensory detail. She draws on her time in the North to evoke a strong sense of place. It would be worth reading just to experience the Yukon setting from our warm living rooms, but she also gives us lifelike characters to root for, suspense, and a puzzle to unravel.

Protagonist Alex Donnelly is a man with secrets, and Marcia Laycock brings them to light slowly, compassionately, and with a defter touch than a debut novelist should have. Alex’s and the other characters’ pain is neither minimized nor exploited, and it’s brought to light in a way that didn’t traumatize this chicken reader.

Hard questions and spiritual issues are treated naturally, with none of the heavy-handed preaching or pat answers found in some Christian novels. The story feels real, and it offers hope.

This is a story for adults, male or female, wounded or whole. You can read the opening chapter of One Smooth Stone here.  [Review copy from my personal library.]

Marcia Lee Laycock is a Canadian writer, speaker and pastor’s wife who lives in Alberta. You can learn more about Marcia and her books (novels and non-fiction) at her website, Vinemarc Communications, and read an interview on the Hot Apple Cider site. A Tumbled Stone, by Marcia Lee Laycock

Laura Davis’ review of A Tumbled Stone at Maranatha News begins like this:

A Tumbled Stone by Marcia Lee Laycock is the much anticipated sequel to One Smooth Stone and it doesn’t disappoint. Laycock is a gifted writer and has written a flawless story that tackles many issues such as teenage pregnancy, abortion, forgiveness and even autism. [Read the full review.]

I haven’t read the novel yet but I’m looking forward to it! Marcia’s books can be ordered through her website or through your regular bookstore.

Interview: Sandra Orchard

Sandra OrchardSandra Orchard is a Canadian author of romantic suspense. She visited my blog last year to celebrate the release of her debut novel, Deep Cover (interview here), and she’s back to tell us about the next in the series. Welcome, Sandra!

Janet: Shades of Truth is the second in your Undercover Cops series, and although there’s a new hero and heroine, the story is set in the same small town. How is writing a series different than a stand-alone title? Did you know when writing Deep Cover that it would be part of a series?

Sandra: From the beginning, I’d hoped it would be picked up as a series. I deliberately created secondary characters that could move into the roles of hero or heroine in future books. I also introduced locations that I imagined future characters frequenting. The main difference in writing a series versus a stand-alone is that you need to anticipate people or things that you’ll want in place for the next novel. The challenge is keeping facts straight from one book to the next. I don’t want my sidekick with brown hair and eyes showing up in the next book with green eyes and red hair…unless of course she’s working undercover!

Janet: I notice that many Love Inspired authors produce two or three books in a year. Does working on a series make this easier, perhaps in terms of character or setting creation?

Sandra: I find it easier, because I’m already familiar with the locale and many of the characters, and the editor’s expectations.

Janet: One of the secondary characters in Deep Cover is a special needs adult. Shades of Truth is set in a young offenders’ detention centre. Do you have a personal interest in groups who tend to be marginalized?

Sandra: I have several friends with special needs children so, yes, they are definitely a group that is close to my heart. I became more compassionate to the plight of young offenders after listening to our pastor’s daughter share about her experiences working with the youth at a detention centre.

Janet: By writing these elements as an organic part of your stories, you give readers the chance to understand. Is there another personal connection in the series’ next instalment, Critical Condition?

Sandra: Yes, I suppose there is. Experimental and alternative cancer treatments play a role in the investigation. My mom had tried a number of experimental treatments and my critique partner who fought the disease for over twenty years had tried many alternatives as well as experimental treatments. I also have a friend whose mom travelled to Mexico to seek alternative treatment unavailable here. She died there alone.

Janet:  Those experiences leave a person sensitive to the needs of cancer patients and their families. I think it’s your inclusion of these heart-connections that make your stories so strong. Was it hard to convince your US publisher to accept a Canadian setting?

Sandra: No, Love Inspired (an imprint of Harlequin owned by Torstar) is actually a Canadian company, only its editorial offices are in New York. They are open to Canadian settings.

Janet: Very cool! I did not know that. Thanks for joining us today, Sandra, and all the best as you keep writing.

===

Shades of TruthBack cover summary:

Big-city detective Ethan Reed is working deep undercover at a Christian youth detention center. The kind of place he spent some harrowing time in as a kid. Ethan’s mission: ferret out who’s recruiting resident teens for a drug ring. He expects help from the lovely, devoted director of Hope Manor. But Kim Corbett won’t tell Ethan anything—even when she’s threatened and attacked. When Ethan discovers what Kim is protecting, his guarded heart opens just a bit wider. Enough to make this the most dangerous assignment of his career.

Review: I Am Half-Sick of Shadows, by Alan Bradley

I Am Half-Sick of ShadowsI Am Half-Sick of Shadows, by Alan Bradley (Doubleday, 2011)

I Am Half-Sick of Shadows is the latest instalment in the life of 11-year-old chemical mastermind Flavia de Luce and her somewhat dysfunctional family in 1950’s England. Where Flavia is, death seems bound to follow, and her detective skills both aid and irritate the local police.

This time, a film crew leases the de Luce ancestral home and the family will be celebrating a quiet Christmas sequestered in their rooms. At least the intrusion shouldn’t interfere with Flavia’s plan to prove (or disprove) the existence of St. Nick.

The equipment and cast arrive in the middle of an escalating snow storm. Add in an impromptu performance for the local community which brings in half the town, turn the storm into a blizzard that traps everyone in the mansion, let Flavia discover a dead body, and you have a delicious murder mystery in the tradition of Agatha Christie’s house-party type murders.

Oh, I think Dame Agatha would have liked Flavia! Hercule Poirot definitely would have enjoyed making her acquaintance.

This is book four in the series and although each title stands alone, there are ongoing relational threads. Flavia and her widowed father may be becoming a bit closer. She thinks her older sisters hate her, but one admits that’s not the problem – so what is?

Flavia makes a delightful narrator, with her child’s perspective and her propensity to view everything in terms of chemical compounds and poison. At one point she’s commiserating with her father’s faithful manservant-cum-gardener, Dogger, about forgetting things, and she says:

“Why, just yesterday I had a thimbleful of arsenic in my hand, and I put it down somewhere. I can’t for the life of me think what I could have done with it.”

“I found it in the butter dish,” Dogger said. “I took the liberty of setting it out for the mice in the coach house.” [p. 81, Doubleday Canada hardcover edition]

I Am Half-Sick of Shadows is a delightful addition to the series, every bit as enjoyable as the book that started it all, The Sweetness at the Bottom of the Pie. Expect a good ‘Golden Age’ mystery, but also expect intriguing and understated relationships where all is not as it seems. And expect Flavia to make you smile.

For more about internationally bestselling Canadian author Alan Bradley and his novels, see the official Flavia de Luce website. I’m pleased to see there’ll be another Flavia novel in early 2013. You can read an excerpt of I Am Half-Sick of Shadows on the Doubleday Canada site.

[Review copy borrowed from the public library.]

Write! Canada 2012

 

I look forward to the Write! Canada conference every year. It’s professional development, spiritual renewal and going home all in one, even though I’ve never lived in Guelph. The conference feels like home because among this eclectic mix of writers from beginners to professionals, I belong.

Have I published a novel yet by going? No. Have I improved the quality of said novel(s)? Significantly. Written other things? Yes. Found an agent? Yes. Been encouraged? Encouraged others? Yes to both. Made good friends? Definitely. Eaten well, slept little, laughed? Check, check, check.

Up to 250 Canadian writers and editors who are Christian will gather in Guelph, Ontario from June 14 to 16, 2012 for the 28th annual Write! Canada conference. Sponsored by The Word Guild, the conference features engaging keynote speakers, in-depth continuing classes, wide-ranging workshops, and a host of other learning and promotional opportunities.

Check out the faculty interviews and regular updates on the Write! Canada page. Registration is now open!

Interviewed at Canadian Christians Who Write

We are as dynamic and varied as our country. And like snowflakes, no two of us are alike.

Our views, be they denominational, theological, ideological, political, social or personal, are uniquely our own.

Yet we share a common belief that Jesus is Lord, and a common passion for writing.

So says the home page of Canadian Christians Who Write. The blog’s host, Jayne Self, posts weekly interviews, and I was pleased to be invited to visit. You can find our conversations at Janet Sketchley part 1 and Janet Sketchley part 2. And be sure to check out the “recent posts” list on the right-hand side of the blog to see who else has been featured. It’s a great way to get to know some new-to-you writers, or maybe get to know a favourite a bit better.

Interview: The Editors of A Second Cup of Hot Apple Cider (part 2)

Last Friday we began an interview with N.J. Lindquist and Wendy Elaine Nelles, the co-editors of A Second Cup of Hot Apple Cider. [If you missed it, here’s part one.] Here’s where we left off:

Janet: I’m not sure where you found time to write, but you each contributed a piece for the anthology as well. Was it difficult editing one another’s work without that second, impartial editor?

N.J. LindquistNJL: We tried to get at least a first draft done before the submissions deadline because we knew how swamped we’d be after that. I actually tried writing about four other short stories before I hit on the one that we used in the book.

I have two terrific concept/substantive editors who live close-by, so they always read my work first anyway. (My #2 son and my husband, in case you’re wondering.) They give me very honest and often annoying feedback. So I don’t think editing our own pieces was a huge problem. I think I was as tough on Wendy as I’d been on everyone else.

The real problem was that we kept leaving our own pieces to the last to edit, which wasn’t good.

Wendy Elaine NellesWEN: Yes, we were tough on each other’s pieces too, and we went through a number of revisions just like everyone else. But it was hard slogging because we were completely exhausted by the time we focused on finishing our own pieces at the end.

I deliberately chose to write someone else’s story, because I think too often writers who are Christian focus only on their own experiences when many other people have wonderful stories others would benefit by reading. But writing a 3,500 word human interest profile is a huge amount of work, because you have to get to know the people, do lengthy interviews, ask the right questions, transcribe everything that was said, organize the material, condense it all, focus on the story aspects, get the answers to any missing details, retain the other persons’ voices… and make sure that you have represented them fairly, accurately and compellingly.

Janet: Contributors had to be Canadian who are Christian (as defined by their acceptance of the Apostles’ Creed). They also had to be members of The Word Guild. What collective benefit does this bring to contributors and to TWG?

NJL: If I’m going to invest my time in someone, I want it to be for a person who understands the value of being part of a team. So working only with members of The Word Guild seemed logical to me. No, just becoming a member by paying one’s dues doesn’t guarantee the person won’t just get what he or she wants and then leave, but it’s a start.

Also, The Word Guild is promoting the book, so it’s only logical to prefer that the writers in the book be members.

WEN: I think that people don’t always understand that both the Hot Apple Cider books were created to benefit ALL members of The Word Guild, whether or not they were chosen to be in the books. We’re modeling what it means—and the amount of work it takes—to produce an excellent product that can stand shoulder-to-shoulder with any other book on the market. We’re modeling working together as a team, to the benefit of enhancing everyone’s career. We’re increasing the public profile of all Canadian writers who are Christian, and everyone who’s in The Word Guild.

I like using the analogy “a rising tide lifts all boats.” We are working hard to enlarge the market and strengthen the publishing community for all Canadian writers who are Christian.

Janet: The Word Guild raised the money to pre-purchase 30,000 copies of A Second Cup of Hot Apple Cider to donate to World Vision for their Girls’ Night Out and Couples’ Night Out programs. This happened with the first book too, so obviously it’s considered a win-win deal. What are the key benefits to TWG?

NJL: When we began The Word Guild, there were certain “givens” in terms of the book publishing industry in Canada. 

            A. Few people (including staff in Christian bookstores) were even aware there were Canadian writers who were Christian.

            B. Since there was virtually no publishing in Canada, you pretty well had to get published in the United States, and the fact that you were Canadian was rarely mentioned, even in Canada.

            C. There was a stigma that Christian books published in Canada weren’t very good, since most of them were self-published.

So the benefits to The Word Guild are the ability to get a lot of Canadian writers’ work in one book, you have clearly Canadian content, and you have a terrific book published in Canada.  And an extra 30,000 copies are being given out across the country.

WEN: To this day, many people—including staff in Christian bookstores or church librarians—may be surprised to hear that authors published in the U.S. such as Janette Oke or Mark Buchanan are Canadians. Yet today, I’d estimate at least 95% of the product in Canadian Christian bookstores is American. The Word Guild has done a lot in the last 10 years to change public perceptions, but we’ve to a lot more to do.

A Second Cup of Hot Apple CiderYes, the Hot Apple Cider books are a win/win situation for everyone. The writers help the humanitarian ministry of World Vision. World Vision gets a valuable gift to distribute at its events. The writers get their work directly into the hands of 30,000 potential buyers. Attendees are excited to receive a gift, and become aware that Canadian writers are worth reading. They hopefully become more interested in seeking out Canadian writers, so they can read stories relating to their own country, their own culture, their own history, their own neighbours.

Janet: The quieter member of the That’s Life Communications publishing team is Les Lindquist, who’s been assessing the changing trends of publishing and handling contracts and other details.

NJL: Without Les, there would be no organization called The Word Guild, no publishing of Hot Apple Cider, nada.

Janet: I’m thankful to be a contributor to A Second Cup of Hot Apple Cider, and have enjoyed reading everyone else’s stories. The anthology has the same restful artwork as the first volume, and it’s a delightful gift book as well as one to keep at home. Dare I ask if there’ll be a volume three?

NJL: We hope so.

WEN: Some experts say that writing a good book is just 10 percent of the work, promoting it effectively is the other 90%. So although we’ve made history by holding over 150 promotional events in seven provinces since the book was released, we’ve only scratched the surface of what could be done to make more people aware of this great book. Helping A Second Cup reach its potential and its audience is the focus for now. But building on everything we’ve done to expand the series would be great.

Janet: With the intensive editing behind you, what projects are you working on now?

NJL: I basically stopped writing close to ten years ago when I began the process that ended up in the founding of The Word Guild. I feel that A Second Cup of Hot Apple Cider is a fitting finale for my years of involvement in virtually every aspect of The Word Guild. It meets our initial mandate of having a team of people working together, helping people develop their skills, and working together in marketing and promotion.

I have about 24 books I’ve begun in the past, and I want to get busy on finishing some of them. High on my priority list is the third of my Manziuk and Ryan mysteries, and then I have a fantasy I need to figure out what to do with, and some other novels and non-fiction, including a memoir. I have lots to keep me busy.

WEN: I have lots to keep me busy too. Like N. J., my energies were completely used in writing and editing related to The Word Guild or Hot Apple Cider books in recent years, with time for just a few freelance articles. I’m working on developing several non-fiction books I’ve envisioned, as well as using my experience to produce some e-books and webinars geared to teaching writing.

Janet: I look forward to what we’ll see from you both in the future. The Lord continue to equip and bless you, and to accomplish great things through you.

Interview: The Editors of A Second Cup of Hot Apple Cider

Since A Second Cup of Hot Apple Cider: Words to Stimulate the Mind and Delight the Spirit was released in May 2011, the book’s writers have participated in more than 150 readings and signings in seven provinces.

A Second Cup of Hot Apple Cider A Second Cup of Hot Apple Cider is an all-Canadian book that is receiving five-star reviews. The inspirational collection of stories by writers who share a Christian faith perspective contains short fiction, poetry, and personal experience articles, all of which provide hope and encouragement. [See more about the extensive cross-Canada launch.]

The book signings continue, and they’re listed on the Meet Us page of the hotapplecider.ca website. If there’s one near you, drop in to say hello!

In the January/February 2012 issue of Faith Today, reviewer Violet Nesdoly wrote, “Though the writing styles  are varied, the book [A Second Cup of Hot Apple Cider] was skilfully edited to preserve  the individual  voices while  providing  a smooth  read.” [Faith Today review, part one and part two.]

The anthology’s co-editors, N.J. Lindquist  and Wendy Elaine Nelles,  did an amazing job of pulling the selections together, and they’ve taken time to answer a few questions:

Janet: A year ago now, you were both putting in some incredibly long hours to get the book ready for print. The initial work had started in August 2010, and for four months (October/10 to January/11), you were working seven days a week. You barely took time off for Christmas or New Years. This is the second volume of Hot Apple Cider, and you knew what you were getting into. What made you believe so strongly in the project?

N.J. LindquistNJL: Back in 2007, I was very frustrated because there were so few Christian books being published in Canada and there was very little support. When the opportunity arose to work with World Vision Canada, to have Canadian books given out at their events, I was determined to find a way to do it.  That led to Hot Apple Cider in 2008, which was written by 30 authors who had already published books.

However, I really wanted to have an open call for stories so that newer or unpublished writers could have a chance to be included. I knew that if the opportunity to produce a second book arose I would grab it. It was a terrific opportunity to help a whole bunch of new writers learn about the editing and promotion process, not to mention having their voices heard. And it also means another great book going out to readers.

Wendy Elaine NellesWEN: We believe strongly in the project because of all the many benefits it creates. We’ve showcased 60 Canadian writers who write from a Christian faith perspective in the two books. The first book became a Canadian bestseller, and the second book is well on its way. Mainstream stores like Chapters/Indigo are willing to stock it and hold book signings. Christian book retailers are becoming more aware of Canadian writers.

Janet: I know from personal experience that you didn’t just take whatever stories people turned in (my first submissions didn’t make the cut). Briefly, what submission criteria helped you choose the best of the best?

NJL: The pieces had to fit our themes, they had to be new (not reprints), they had to have originality and good writing, and the writers had to be willing to make changes and, ultimately, to trust us—or at least be willing to dialogue with us if they disagreed with a change we suggested.

Janet: Many of the final selections came in much rougher form than readers see in the book. The two of you make a formidable and effective editing team. I’ve heard contributors say they wished all their publishers edited like you do. Not only does this give a stronger result, in some cases it’s an investment in the development of new writers.

NJL: Thanks for your comments. Yes, there was a lot of editing. I’d say maybe 10 to 15% of the pieces required only minimal work on our part. Several final pieces actually involved combining two (in one case, three) smaller pieces.  A number were almost completely rewritten or reordered. But we didn’t mind investing our time and energy if we felt the writers were learning, and of course, if we felt the resulting book would be great.

We could have rejected pieces that needed a lot of work, or picked more pieces that were okay but not great, or we could have gone in and made the changes on our own, but we wanted the writers to be involved in every part of the process, so they would understand the many facets of good editing, from concept through substantive, fact-checking, copy-editing, and proof-reading.

WEN: Publishing the two Hot Apple Cider books is being done for higher purposes. N.J. and I both invested much of the past decade in founding and building The Word Guild and directing the Write! Canada writers’ conferences, and working on these books is being done with the same vision, the same passion and philosophy. Our goals are to bring glory to the God we serve, to help readers who need to read these books, to strengthen the Canadian Christian writing and publishing community, to develop members of The Word Guild to become better writers, and to raise the bar of professionalism.

So we were willing to invest vastly more time and energy into the editing process than any other “commercial” publisher would, whether secular or Christian. From a strictly business or financial viewpoint, publishers can no longer afford the intensive editing and mentoring of promising writers that we were willing to do. So the Hot Apple Cider books are unique projects, which the publishers Les and N. J. Lindquist who own That’s Life! Communications were willing to do. 

NJL: As to how we work, I tend to lean more toward the bigger picture things such as concept editing, substantive editing and general flow, while Wendy is much better at seeing inconsistencies, fact checking, grammar, and details in general.

WEN: We both did all the levels of editing, from developmental down to copy editing, on all the pieces. But we each came at the pieces from different viewpoints, experiences and skill sets, so we each would spot different things. It’s a prime example of the teamwork The Word Guild has been trying to exemplify since its inception 10 years ago. And it proves the old adage, two heads are better than one.

NJL: Wendy and I each read and discussed each piece, then we each did first edits on about half. I did the poetry and short stories and some of the non-fiction while Wendy stuck to first edits on non-fiction. Then we switched and each did a second edit of the one the other had done first edit on. Then each piece went to the writer, who could agree or disagree, add or delete as suggested, and so forth. Then we did the process a second time, and then a third time, each time getting more detailed and hopefully having fewer and fewer things to change or correct. This went on until all three of us were satisfied (Wendy, me, and the writer).

WEN: Some pieces went through three “back and forths” with the writer to get to the final version, others went through seven or eight.

Janet: I’m not sure where you found time to write, but you each contributed a piece for the anthology as well. Was it difficult editing one another’s work without that second, impartial editor?

[For NJ’s and Wendy’s answers to this and more, read the rest of the interview.]


Interview: Janet C. Burrill

Janet C BurrillJanet C. Burrill is a Canadian author celebrating the 2011 release of her first novel, Dark Clouds of the Morning. Because we share the same first name, I’ll be using initials instead of first names in the conversation below. To make it easier, remember the guest author’s comments are always in bold.

JS: Welcome, Janet Burrill, and thanks for joining us. You’ve published shorter work before, but congratulations on your new novel! Tell us a bit about Dark Clouds of the Morning.

JCB: The story centres around the Halifax Explosion, Canada’s worst disaster, and the world’s worst prior to the atom bomb. I created a cast of lovable characters who experienced various true-to-life situations that survivors went through at that time.

JS: Where did the story idea come from?

JCB: I became interested in the Halifax Explosion from hearing my mother tell what she knew about it. Years later, I became more interested, and decided I’d like to write a Christian novel set in this time period.

JS: Dark Clouds of the Morning is set in 1917, and the setting of Halifax, Nova Scotia, has changed a lot since then. You did a lot of research into the time period as well as into the explosion itself. Care to share some of the stranger bits of trivia you picked up?

JCB: There is a lot of material out there, where one may learn more about the subject. I collected every book I could find on it, as well as accessing information from the N. S. Archives. I discovered, for example, that the train from Boston, bearing doctors and nurses to aid in the disaster relief, ran into complications. A fierce snowstorm blew in from the Atlantic seaboard, and stalled the train on Folly Mountain, 75 miles from Halifax. Despite the efforts of the engineer and train crew, the train was immobile for several hours. All on board were frantic; Halifax needed them.

I discovered, too, that soldiers wives whose husbands were overseas were classed as prostitutes. As such, they were not given much, if any, financial help for their needs. 

Another shocking thing I discovered was that those Canadians who bore German surnames were treated unfairly and blamed for the explosion. Many of the men were incarcerated, and their children had the distress of being cruelly mocked by their peers.

JS: I hadn’t known these things before reading your  novel! Another thing I was surprised to learn was that the burial efforts for the Titanic victims in 1912 actually helped the citizens of Halifax when the explosion occurred five years later.

JCB: Thankfully, those who had worked to set up and operate a morgue for the Titanic victims were still around. They quickly came forth to offer their services to do the same for the explosion victims.

JS: Do you have a favourite character in the novel?

JCB: You bet! It’s the heroine, Jennie. (I’m mighty fond of several others, too.)

JS: Is there a sequel in the works?

JCB: Yes, I’m pleased to say that I’m working on it now. It follows the same characters, and introduces a few new ones.

JS: Dark Clouds of the Morning was a few years in the making, and as a member of your critique group I enjoyed hearing the early excerpts. I’m sure the sequel will come together faster because you’ve already done the research, but how long did book one take to write?

JCB: Oh, my! I’m sorry to say it took ten years, and that is because certain events in my life kept me away from writing for a while. I pray, Lord willing, this new book will come together much more quickly.

JS: Writers are told to read widely and voraciously. I think that’s one of the perks of the deal. What are you reading these days?

JCB: I always have a book on the go. There are several authors I enjoy, like Jan Karon, of the Mitford series, and Michael Phillips and Judith Pella, who co-authored the Stonewycke Trilogy, of which I’m now reading the second book. These last are historical romances, which are my favourite. (Maybe that’s why I prefer to write them.)

JS: What do your family think of your writing?

JCB: I am blessed! They all love what I write, brag about me (blush!) and help sell my books.

JS: Is there a particular song or Scripture verse that’s made a big difference for you?

JCB: God is my fortress and my strength. In Him do I trust.

JS: What’s the most surprising thing you’ve ever done?

JCB: I would say when I contacted 100 Huntley Street this summer, and told about my book. The kind lady I spoke to said, “We take people, not for what they’ve done, but for what God has done in them. Send us your testimony.” I did, and to God be the glory, they accepted me. You can view the programme here: Janet Burrill interview part 1 and Janet Burrill interview part 2

JS: Thanks so much for taking time to let us get to know you a bit, Janet Burrill. May the LORD continue to bless you and make you a blessing to others—in every area of your life.

===

On December 6, 1917, two ships collided near the waterfront of the Halifax, Nova Scotia  Harbour. One was carrying tons of munitions. On impact, a giant explosion occurred, killing and injuring thousands. Can Jennie and her family rise up from the tragedy and trauma to ultimate triumph?

See my review of Dark Clouds of the Morning.

To learn more about Janet C. Burrill or to order signed copies of Dark Clouds of the Morning visit her website. The novel is also available through online bookstores or for order in your local brick-and-mortar bookstore. The ebook is available through Books on Board.

Review: Play it Again, by Tracy Krauss

Play it Again, by Tracy Krauss (Strategic Book Publishing, 2011)

In the 1980’s, a one-night stand between a conservative accountant and a free-spirited younger woman may have been love at first sight, but neither can admit the possibility. Nor can they stop thinking about one another.

Russ Graham is punctual, successful, and always trying to measure up. Deanie Burton is impulsive, direct and never on time. They’ve both got a lot of baggage from disastrous past relationships.

Neither is a Christian, although Russ learned enough of “the rules” as a child to think he knows  it’s not for him. His mother is a woman of faith, but she plays the guilt card more than she should and tends to look no deeper than appearances.

Deanie’s father leads a jazz troupe, and Deanie herself has recently quit singing in a rock band. She’d love to go back to it, but she also wants a job with a steady income.

Play it Again is a romance, without the suspense that readers of author Tracy Krauss may expect from her previous novels. There’s still plenty of tension and some elements of danger. It’s very much a relationship story, and a coming-to-faith story.

There’s a fair bit of mild profanity, enough to put the novel into the “edgy Christian fiction” category, definitely enough that the more conservative readers of Christian fiction may want to give it a miss. There isn’t a lot of sexual content, and it’s discreetly “off-camera.”

While the language might make Russ, Deanie and their friends feel more realistic to non-Christian readers, I think those readers might have trouble accepting the number of characters who commit their hearts to Christ by the book’s end. Still, it could be a good book to pass to a non-Christian friend.

The basics of the faith are clearly presented in small portions as the characters themselves begin searching—after readers have watched them dig themselves into messes and have developed sympathy for them. And although the gospel message is very clear, I never felt readers were being preached at.

I found it interesting to look at the Christian characters through Russ and Deanie’s eyes and see how even the best intentions can be misconstrued. Deanie’s friend Holly shows how faith can be lived non-judgmentally but without compromise, and she’s a good example to us all.

Tracy Krauss is a Canadian author whose previous novels include And the Beat Goes On and My Mother the Man-Eater. Play it Again is the prequel to And the Beat Goes On. You can learn more about Tracy at her website or check out her blog, Expressions Express, about the creative process from a Christian perspective.

There’s an interesting interview with Tracy Krauss at Marcy Dyer’s Rollercoaster Suspense blog, where she talks about her philosophy in writing edgy Christian fiction.

[Review copy provided by the author in exchange for a fair review.]