Tag Archives: giveaway

Hidden Secrets Giveaway and Interview

Book cover: Hidden Secrets
A Green Dory Inn Mystery, book 2

Here’s your chance to win a print copy of Hidden Secrets (or an ebook if you prefer them) anywhere in the world. Just pop over to A Christian Writer’s World – Characters Who Grip Your Heart and leave a comment. Click here. Draw ends January 17, 2020.

Already read the book but you like reading author interviews? Click the link above and join the conversation. Host Lena Nelson Dooley always has interesting questions.

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Christmas Devotional and Giveaway

If you like Christmas devotionals, check out my guest post at Patti’s Porch. Someone who comments on the post (on that site, not here) will win a print or ebook copy of my daily devotional book, A Year of Tenacity. Draw is on December 17, 2019.
Link: This is the Lord’s Battle.

Print Giveaway, Interview, Review Option, and a Price Drop

Book cover: Hidden Secrets

There’s a print book giveaway this month for Hidden Secrets. Unfortunately, it’s only available in continental US and Canada, but if that works for you, check it out at The Suspense Zone. There are a few other suspense giveaways at the same link, for continental US residents only. [Giveaways end October 31, 2019]

And Susan Sleeman from The Suspense Zone also interviewed me. You can check out that conversation here.

If, by chance, you’re a NetGalley reviewer or if you know someone who is and who enjoys mystery/suspense, Hidden Secrets is available there during the month of October. Link: NetGalley. I’m really excited about this chance to get the book in front of some new-to-me reviewers.

Also, I’d be remiss if I didn’t tell you I’ve dropped the price of the ebook version of Unknown Enemy to 99 cents USD ($1.32 CAD and the equivalent worldwide). It’s available for Kindle, Kobo, Nook, and Apple, so please let your mystery/suspense-reading friends know! International buy link: Unknown Enemy.

Text: "A young woman with a traumatic past... A lonely widow... And a prowler who's up to no good. $0.99 for Kindle, Kobo, Nook and iBooks. #Christiansuspense #books2read.com/unknownenemy

Deal Alert: Secrets and Lies + Other Christian Ebooks

Inspirational Christian ebooks sale: free and 99 cents + giveaway. March 9-13, 2018

What’s better than free or 99-cent Christian ebooks? A gift card to buy even more ebooks!
Five readers will receive a $10 gift card (winner’s choice of Amazon, Barnes & Noble, or iTunes), for a total of a $50 giveaway.
To shop, and to enter the giveaway, visit mybookcave.com/retailer-group/3f241a4f/

Psst… one of the 99 cent books is my romantic suspense novel, Secrets and Lies. If you haven’t read it yet, now’s the time.

Interview and Giveaway (ends Nov. 30/17)

I had a fun chat with author Lynn A. Davidson at her blog, Polilla Writes, and one commenter will win a copy of one of my suspense novels (their choice). It’s a print book if they’re in continental North America, or an ebook if they live anywhere else.

Pop over and check it out: click here. (Giveaway ends Nov. 30, 2017, but the interview will stay online.)

Multi-Book Suspense Giveaway

Have you seen this amazing giveaway from BookSweeps?

Enter to win 25+ Christian mysteries & thrillers. Ends July 31, 2017

You can win my book Secrets and Lies, plus books from authors like Christy Barritt and Susan Sleeman, PLUS a Kindle Fire or Nook Tablet! This giveaway ends July 31, 2017, so make sure you enter soon.

Join the fun here: bit.ly/2u9Z7ep

When you’re done, tell me which books you’re most excited to win!

Viking Historical: Interview and Giveaway

What do Vikings and present-day folk in small-town West Virginia have in common?Heather Day Gilbert

They both thrive in the head of award-winning author Heather Day Gilbert, whose fiction can immerse readers into either world. Heather’s newest Viking historical, Forest Child, released this month, and she’s offering a free ebook copy to a randomly-chosen commenter on this post. [Draw closed Nov. 25, 2016.]

Janet: Welcome, Heather, and congratulations on your newest release. In both of your genres, you create heroines we can relate to, strong yet vulnerable. Except for your novella, Out of Circulation, they’re each married women. How important to you is exploring the relationship dynamics this brings to each story?

Heather: Thank you for those kind words on my characters, Janet! Ever since I started writing novels, I’ve had a burden for writing about married women and their struggles. Married characters have just always been intrinsically interesting to me… all the way back to those Janette Oke books that featured them. I feel that married love is so much deeper and more powerful than dating love. When we’re married, we see each other at our worst, we sacrifice for each other, we grieve together… and yet if we do it right, our love grows even stronger because we are fully committed to each other.

Janet: So true, and since part of the reason we read about others’ struggles is to learn for our own, we should be seeing a lot more of this. Along with the relationship themes, your novels also involve a fair bit of action. Which aspect of the writing comes easier: the characters or the plots?

Heather: Definitely the characters. Then I have to plug them into a rough plot (my plotting is really loose and involves chapter highlights) and then ask myself what would this character really do in this situation?

Of course, with mysteries, you have to stretch it a bit, because if I were off chasing baddies and having showdowns with cold killers like Tess Spencer, I daresay my hubby would force me to stop my sleuthing “hobby.” Although Thomas Spencer tries to do this, he hasn’t quite succeeded.

Often, my characters surprise me with what they say and do. There is this line that Ref says to Freydis in Forest Child that I didn’t see coming, yet when I typed it, I knew it was exactly what he would have said. It was both brutally honest and quite vulnerable, and it made me mad, just as it did Freydis. (if you read it, try to guess which line that is—you might know, Janet! 😉 )

Janet: Forest Child is, what, your fourth novel in print? You’ve said this was the hardest novel to write – why so? And was it worth it in the end?

Heather: Hm. It’s actually my fifth in print (God’s Daughter, Miranda Warning, Trial by Twelve, and Out of Circulation preceded it). Yes, this was definitely the hardest one I’ve ever written, for several reasons. First, I had to build the simple Icelandic saga accounts of Freydis into a fleshed-out story. That involves matching up timelines, events, and even some wording. Vikings of the New World boxed set

Second, what Freydis did in the saga accounts was something so horrific, it took me over two years to really come up with reasons why a woman would be driven to such actions. I honestly prayed God would give me ideas about that, and He did. While the reason shocked me somewhat, I knew it was a perfect catalyst for her actions. Historically, Freydis was domineering, she was wild, she was a warrior, she was rude, and the list goes on and on. The true challenge was drawing this character so readers could empathize with her.

Finally, I had to  fully get into Freydis’ head because I write in first person present tense, which meant I had to be her for a while. I was kind of afraid her way of thinking might trickle into my own thoughts, but as I wrote her, I realized that in some ways, we were already similar. Acknowledging that was rather terrifying, but ultimately it turned into something that was freeing, for me and for her. So yes, I feel the angst of writing Forest Child was worth it and I know the story turned out exactly the way it needed to.

Janet: You did a fantastic job making Freydis both shocking and relatable. I think her inner vulnerability, which she didn’t even see at the start, made a strong connecting point for readers. And for me, even the worst of what she did seemed like a perfectly natural outflow of her character.

As well as vibrant characters who make realistic choices, how important to you is each novel’s setting?

Heather: In the Viking novels, setting is obviously crucial (from describing the Viking voyages to their foods and longhouses), so that requires a lot of research on my part. I wish I could visit the Viking locales in Newfoundland, Iceland, and Greenland, but I haven’t been able to yet. I do the best I can with photos and my imagination.

I have noticed that in every one of my books, there is a forest scene. I think it’s because I spent a lot of time in the woods growing up. My West Virginia mystery/suspense is really what I know, because I grew up in WV and I live here now. The ways of the Appalachian people, the winding mountain roads, the issues this state is having with drug addiction… all these things play into my contemporary stories. I don’t go into paragraphs of descriptive detail, a la Thomas Hardy (whose writing I love, BTW), but I hope I include enough description that my readers can see the books playing out like a movie in their heads, which is what some reviewers have said.

Janet: Your forest scenes feel alive to me, likely because the ones of my childhood are similar. Now, my favourite question: What might happen if Tess from your Murder in the Mountains series met the Viking heroines, Gudrid and Freydis?

Heather: Oh my word! I can’t imagine! Tess would probably get along okay with Gudrid, since they both had traumatic childhoods and they might have similar issues. But Freydis and Tess… boy, that would be a clash of the titans! Let’s just hope neither of them would be armed! LOL!

Janet: Could make for an interesting time! Heather, thank you so much for visiting today, and for these fantastic reads. The care you invest in your writing shows in the finished books.

Heather is offering one free ebook copy (epub or mobi format) to a randomly-selected commenter on this post. Entries close at midnight, Nov. 25, EST. To enter, scroll down to the comments field. Just for fun, share something you either know or wonder about the Vikings.

===

Forest Child, by Heather Day GilbertViking warrior. Dauntless leader. Protective mother.

Determined to rise above her rank as the illegitimate “forest child” of Eirik the Red, Freydis launches a second voyage to Vinland to solidify her power and to demand the respect she deserves. She will return home with enough plunder to force her brother, Leif, to sell her the family farm in Greenland.

But nothing can prepare her for the horrors she must confront in Vinland… and nothing can stand in her way when her family is threatened.

In her race to outrun the truths that might destroy her, Freydis ultimately collides with the only enemy she cannot silence—her own heart.

Historically based on the Icelandic Sagas, Forest Child brings the memorable, conflicted persona of Freydis Eiriksdottir to life. This immersive tale is Book Two in the bestselling Vikings of the New World Saga.

AUTHOR BIO:

HEATHER DAY GILBERT, a Grace Award winner and bestselling author, writes novels that capture life in all its messy, bittersweet, hope-filled glory. Born and raised in the West Virginia mountains, generational story-telling runs in her blood. Heather is a graduate of Bob Jones University, and she and her husband are raising their children in the same home in which Heather grew up. Heather is represented by Rebeca Seitz and Jonathan Clements of SON Studios in FL.

Heather’s Viking historical novel, God’s Daughter, is an Amazon Norse Bestseller. She is also the author of the bestselling A Murder in the Mountains mystery series and the Hemlock Creek Suspense series. Heather also authored the Indie Publishing Handbook: Four Key Elements for the Self-Publisher. Find out more at heatherdaygilbert.com.

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Christian Authors

Christian Authors is a new site featuring Canadian Christian authors. Today, February 4, 2016, they’re hosting a virtual launch party on Facebook, complete with hourly giveaways.

Christian Authors website launch party

Here’s the lineup of hosts (Eastern Time):

Party link: Christian Authors Virtual Launch. You can either visit the link early to sign up for the event, or simply pop in while it’s going on. The key with a Facebook party is to refresh your browser regularly so you’ll see the new chatter. (Windows users: refresh by hitting F5 or the little circle arrow in the top left of your screen.)

Whether or not you’re interested in today’s party, you might want to check out the website. They have interviews with featured authors (mine is here: christianauthors.ca/janet-sketchley/) and their plan is to send monthly email updates to subscribers, with book news, updates on sales, and other newsworthy events. Right now they’re offering new subscribers (it’s free) attractive printable colouring bookmarks and wall art. Link: subscriptions.

Win a Print Copy of Without Proof

This week there are two chances to win a print copy of Without Proof:

At Thinking Thoughts: New Novel News (ended Nov 23, 2015)

and at A Christian Writer’s World (ended Nov. 28, 2015)

Don’t need a copy of the book? Stop by and check out the interviews. Some of the questions made me think!

Without Proof available for print and in multiple ebook formats.

Four Tips to Writing a Death Scene That Won’t Kill Your Readership, by Sara Goff

Giveaway: Sara is offering a printed copy of I Always Cry at Weddings to one randomly chosen commenter, worldwide. The winner will be announced October 9. To be entered in the giveaway, please leave a comment.

Four Tips to Writing a Death Scene That
Won’t Kill Your Readership

by Sara Goff

Readers aren’t likely to get excited about a death scene. You’re asking them to experience the protagonist’s despair, guilt-ridden relief, or callous pleasure, if that’s your story. The scene is intrinsically heavy. The action likely slows down, and perhaps worst of all, we’re reminded of our own mortality. Basically, you’re entering dangerous storytelling territory, where your readers might skim, skip, or ‘kill’ the book right there, setting it down. Losing a reader is a death no writer wants. You want to give your readers an emotional experience, and in order to get them laughing, bawling, or afraid to turn the next page they need to be engaged.

Here are four tips to writing a death scene that will lead your readers further (deeper) into the story:

Purpose. Think of the sequential scenes or chapters in your story as drivers on a long and winding journey. Each driver, or scene, takes the wheel of your story for a leg of the trip. If one scene gets lost, moves too slowly, or (yikes!) pulls into a rest stop, the action brakes, along with your readers’ attention.

How to avoid this? Make sure each scene has its driver’s license. That is, each scene or chapter needs to have a specific purpose that moves the action forward. So, in writing a death scene, for example, ask yourself: Is the death necessary in order to reach your destination? Here’s another way to phrase the question: Will arriving at “The End” feel incomplete or less satisfying without the scene?

If you answer “yes” to these questions, then hand over the keys and let that scene drive the action. My next three tips will test its driving skills.

Conflict. You’ve written a death scene and it’s licensed with big-picture purpose, advancing the plot. But does it have conflict? That’s like saying, is it fueled up for the drive? Readers are greedy; they expect the thrill of finding out what happens in every chapter, not just at the end of the book. A mistake I made when first writing about death was thinking, with unquestioning certainty, that the death of a supporting character was plenty of action to sustain a chapter. After all, death is a major life event. Actually, death is not a major life event in storytelling unless it’s about to happen to your protagonist and she narrowly escapes. My focus was on the dying character, not on my protagonist, so the chapter stalled.

Your protagonist needs to take action, and the fact that she’s in dire despair over the death of her husband is a reaction, not an action. Where is the Conflict? How will it resolve? Perhaps there’s a disagreement between your protagonist and her husband’s family, a disagreement that could make her lose custody of their daughter. Or the funeral home catches on fire and your protagonist risks her life to save her husband’s body. Well, you get the idea.

The conflict can be internal, as well. Your protagonist might be so terrified of losing her husband that she can’t find the words to say good-bye. Or she might be too proud to say she’s sorry for past mistakes and will have to live with the guilt. Now you have a purposeful chapter to the story as a whole that is also interesting on its own. A cliffhanger at the end of the chapter will keep your readers wanting more while you switch drivers, moving on to the next scene.

Originality. My third tip is how to avoid writing a death scene that reads like every other death scene. Since most people have lost a loved one or attended a funeral, it’s important to personalize your scene. Use props that mean something to your characters; for example, an old fiddle or a photograph. Color the room with flowers, curtains, a favorite pillow. A startling lack of color would also create a memorable scene, but be aware that you’re making a dark scene even darker. Unusual clothing and unexpected gifts would help to develop your characters. If a particular item, a keepsake, for example, is mentioned earlier in the story, now would be a good time to bring it back. In life we hang on to sentimental possessions when we’re feeling emotionally challenged; keep your story true to life.

Your chapter has Purpose, the right to belong in the story. It has Conflict, the gas to keep it going. You’ve even seasoned it with a unique blend of sensory objects that bring the action to life. However, you’re not done yet. There’s one more tip I can give you to deliver a death scene your readers will love.

Do not let a single cliché slip into the scene. “Tears streamed down her cheeks.” “It was his time to go.” “This too shall pass.” “The tragedy was too much to bear.” I could go on and on. Think of clichés as road bumps. If your readers come across one, they’ll be reminded of the thousand times they’ve heard the phrase before. What happens then? They stumble over the sentence and lose the flow of the story. Be on high alert and take the time to give your characters their own thoughts.

Showing the death of a character or the subsequent funeral will challenge you as a writer and enhance your story on many levels. Losing a friend or family member can be a life-altering event, which might take your story in a new direction. Everyone handles death differently, which means you have an opportunity to show more about your characters’ personalities. Most importantly, death gives you the chance to prove love’s everlasting power. With careful thought and attention to details, your scene will give the story emotional depth and resonate with readers.

Sara Goff

Sara Goff is the author of I Always Cry at Weddings and the founder of the global educational charity Lift the Lid, Inc., a non-profit supporting underprivileged schools and encouraging young people to exercise their creative expression through writing.  Formerly a New York City fashion buyer/merchandiser, Sara left her career to write and make a difference in the world.

In New York, Sara volunteered as a writing instructor for the homeless with Holy Apostles Soup Kitchen Writers Workshop, founded by author Ian Frazier.  She has been an active member of The National Arts Club’s creative writing program and received two fellowships to Summer Literary Seminars in St. Petersburg, Russia and Nairobi, Kenya.

Beyond her leadership with Lift the Lid, Inc., Sara has found a way to share her passion for the written word through speaking engagements with inner-city high schools and colleges in the New York area. Sara has lived in Europe for the past seven years and has recently moved to Connecticut with her Swedish husband of 14 years and their two sons, ages one and six.  I Always Cry at Weddings was released this September by WhiteFire Publishing. Proceeds from the book will go towards her charity Lift the Lid, a 501(c)(3) tax-exempt organization. Visit www.lift-the-lid.org for more information on the charity.

~ Places to Connect with Sara ~

I Always Cry at Weddings, by Sara Goff

I Always Cry at Weddings

“Ava Larson is going to bring all the other brides to tears.”

Engaged to a wealthy NYC socialite’s son, Ava is ready to set the city abuzz with her glamorous wedding.  At least until she realizes her relationship isn’t what it should be.  Then, in a move as daring as a red satin dress, she does the unthinkable–she calls it all off and makes a promise to God that from now on, she’ll save sex for marriage.

She’s convinced the future is hers for the taking, especially when an undercover cop promises a new romance…and an unexpected friendship with the homeless guy under her stoop brightens her days.  But when her carefully balanced life teeters out of control, weddings aren’t the only thing to make her cry.  Ava has to figure out what life she really wants to live…and what in the world love really means.