Tag Archives: writing resources

Picks from 2012

My favourites from 2012:

Books

Most challenging:

Most fun:

Most laugh-inducing:

Most satisfying twist:

Most satisfying mystery:

Most personally helpful writing how-to:

Most likely to re-read:

Movies

Favourite movie of the year:

Music

Favourite album of the year:

Blogging Book Reviews: Benefits and Tips

If you read books, it’s a natural progression to talk about them on your blog. Here are six benefits, plus some tips to get you started.

1. New Content

Bloggers have an ongoing need of material. You’re reading anyway; why not get some extra mileage from it?

2. Attract Visitors

Some visitors who find my blog for reviews stay as subscribers, and some write blogs that I’ve added to my own reading list.

3. Promote Your Blog

Join a readers’ group on Facebook and post your review link. Tweet the link with an eye-catching phrase and the hashtag #review.

4. Value Added

If you review books with content related to your other posts, you’re providing resources for your community of readers.

5. Help Others

Your reviews can help readers discover books they’ll love, and they raise awareness of authors you like.

6. Free Books

Publishers and authors provide free books to reviewers, and you only choose the ones you want. (I review for Graf-Martin and BookSneeze®, and I’ve just set up with NetGalley. An Internet search will turn up more options.)

Blogging Book Reviews 101

Be yourself; use your regular blogging voice. Start with a book you think your readers might appreciate.

Keep it short, 300-400 words. Write a brief description (no spoilers!), tell what works (or anything key that doesn’t) and share your personal reaction. Include cover art if possible and a link to the author’s website.

If you didn’t like the book, think twice about reviewing it. Don’t turn it into a personal attack on the author. Be  professional.

If you decide to make this a regular feature, don’t schedule it so tightly that you turn reading into work.

If you were given the book for review purposes, or if you’re using Amazon (or other) affiliate links, include a disclosure to that effect.

[This post originally appeared in Carolyn Wilker‘s monthly newsletter, FineTuned, October 2012 edition.]

Tips and Links on Writing Fiction

I took in as many writing workshops as I could at this year’s Hal-Con science fiction/ fantasy/ gaming convention. Many of the writing tips apply across fiction genres, so I thought I’d share some of my notes:

From C. S. MacCath: a great overview of open-source (or minimal cost) software for things like organizing notes, story creation, mind mapping and backups. See her Technology for Writers page on her website.

From Matt LeDrew and Ellen Curtis of Engen Books:

  • Sometimes, instead of a villain, you need a foil for the main character.
  • Find out who your characters are outside of the story.
  • If your characters are too similar, let that type be your main character (MC); designate another to always agree, another to always want to prove MC wrong, and another to have yet a different quirk. (Not to create plastic characters, but to train yourself to write with variety. You can edit any stiffness out later.)

From Elizabeth Moon (who was not at the convention, but whose novel, Engaging the Enemy, I slipped off to read between sessions):

  • Two characters had different strategies to understand their enemy. Both points made good sense for a writer presenting a character:
    • “What he does tells us who he is, what he’s really like.”
    • “What he wears tells us who he thinks he is.”

From Brandon Sanderson:

  • Revolve your plot around conflict.
  • Don’t make your main character an observer; make her the centre of the conflict. She needs to make the plot move, although the story opening can be a call to action where she’s pushed into the plot.
  • Story structure needs to maintain a good sense of progression on multiple levels; the reader’s feeling of movement is what keeps him turning pages.
  • What does the character want, and why can’t he have it?
    • what does he want = larger than this story’s plot
    • why can’t he have it = plot
    • Be intentional in your story opening about the promises you make; fulfill them.
      • genre/ feel/ style
      • make sure your ending wraps up what your opening raised
      • Nest multiple plot threads by priority (start the most important first, end it last)
      • Videos of his 2012 writing lectures are posted at Write About Dragons.
      • He’s one of the team at Writing Excuses (podcasts and news updates). I love their tag line: “Fifteen minutes long, because you’re in a hurry, and we’re not that smart.”

Random bonus photo: Hal-Con’s mascot, Nelson, with my Adventure Sheep, Acton, at a Hal-Con fundraising barbecue hosted by the fine folks at Giant Robot Comics.

Hal-Con's Mascot, Nelson, with Acton the Sheep

Hal-Con’s Mascot, Nelson, with Acton the Sheep

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Review: Unleash the Writer Within, by Cecil Murphey

Unleash the Writer Within cover artUnleash the Writer Within, by Cecil Murphey (OakTara Publishers, 2011)

This book is a keeper. It’s not a “how-to-write” book, although Cecil Murphey is an excellent teacher of the craft. It’s more a collection of vignettes that prompt the reader to do what the title says: unleash the writer within.

Cec Murphey was on faculty one year at Write! Canada. I don’t remember what he said, but how he said it left me with great respect for not just his knowledge but his heart. If you read Unleash the Writer Within you’ll know what I mean.

Some of the short chapters cover typical writerly issues such as giftedness, inner critics and writer’s block. Most deal with topics like discovering who you—the writer—really are, finding/embracing/growing your voice, and learning how to like and to be gentle with yourself.

Before you dismiss the latter ideas as impractical, “out there” or whatever, stop to think about it. If we don’t really know who we are, if our creative and critical sides are in constant battle, we can’t reach our potential. We can’t write authentically, and we’ll miss touching a lot of lives.

Many of the chapters grow out of two key questions Cec Murphey asks when he teaches: “Why do you write?” and “What makes you keep writing?”

The book is an easy read, but one I chose to take in daily chapter doses so I could internalize what I’d read. Each chapter ends with a summarizing aphorism, like “I write to find out who I am” and “My inner critic can be my friend, so I honor and trust that voice.” Chapters are written in a very open, humble and self-effacing style, honestly revealing Mr. Murphey’s own struggles so that we can relate with our own.

My copy is flagged with coloured tabs for sections I’ve marked to re-read. It’s one of those books that I’d probably lend to a trusted friend, but only with a strong warning that I wanted it back.

Cecil Murphey is a multi-published, New York Times best-selling author. His website is The Man Behind the Words,  and writers will also want to check out his blog: Cec Murphey’s Writer to Writer.

[Review copy from my personal library.]

7 Links for Writers

Novel Rocket looks at The 5 Stages of Rejection Grief.

Brian Feinblum’s guest post at Live, Write, Thrive offers 16 Tips on How to Succeed as a Writer.

At A Word of Encouragement, Laura Hodges Poole shares two key tips and a video: How to Develop Effective Writing Habits.

At Live, Write, Thrive, C.S. Lakin shares the three most important things to know about your main characters.

Jerry Jenkins shares his secrets on How to Overcome Writer’s Block.

Jeff Goins offers The Writing Class You Never Had.

And to keep us focused, check out agent Chip MacGregor’s thought-provoking post on the difference between success and significance.

Writer, Who Are You Really?

Be yourself

Be yourself (Photo credit: chase_elliott)

In developing as a writer and learning the rules and the craft, it’s easy to wake up with an identity crisis.

The publishers demand this. The readers want that. The critics are looking for something else. Does what’s left look anything like you? Who are you really?

I’ve been finding more and more advice lately on how important it is for a writer to be himself or herself. Not that we can scoff at things like craft and audience, but that developing excellence in our writing won’t happen if we’re stifling or masking who we are.

Be yourself. Be honest. Do your best. Take car...

Be yourself. Be honest. Do your best. Take care of your family. Treat people with respect. Be a good citizen. Follow your dreams. (Photo credit: deeplifequotes)

Beth Vogt challenges us to stand out.

From Bonnie Leon: Be Yourself.

At Novel Rocket, Christa Allen tells us to “Follow Your Weirdness,” which I’ve read Jeff Goins advise as well.

And at Chatting at the Sky, Emily P. Freeman calls us to overcome our fear and be ourselves: “You have something we desperately need. I don’t know what it is, but you do.” (One Way to Live Wildly Free)

Finding–and being honest about–who we are is one of the key topics Cecil Murphey addresses in his book, Unleash the Writer Within. You wouldn’t think it’d be so hard!

Review: You Are A Writer, by Jeff Goins

You Are A Writer cover artYou Are A Writer, by Jeff Goins (Kindle edition, 2012)

This e-book’s full title is You Are A Writer (So Start Acting Like One), and Jeff Goins packs a lot of coaching and practical information into its digital pages.

His premise is that writers (and wanna-bes) need to stop waiting for permission or endorsement from someone in the industry. We need to write our passion instead of writing to please the gatekeepers. And we need to do it well.

It begins with showing up. Day after day.

We need to talk ourselves into writing instead of out of it. Writing regularly will train us and develop our voices. If we risk posting that writing on a blog or sharing it with our friends, we’ll discover what works and what doesn’t.

All of this—this business of becoming a writer—starts not with the hands, but with the head. (Kindle location 156)

That’s one of the key messages of You Are A Writer. The other is that it’ll take a lot of work and perseverance. Here again, a large chunk of the battle is mental.

If passion isn’t what drives you, you may not have much tolerance for the pain, rejection, and disappointment of the writer’s life. If, however, you write because you have to—because you can’t imagine not doing it—then there may be hope for you yet. (Kindle location 787)

Once we’ve decided to show up, or to rediscover the joy of writing if we’ve become disillusioned or worn down, You Are A Writer has good advice on things like platform-building, branding and connections.

Jeff Goins’ approach is to “serve your way into relationships” (Kindle location 514). Not in a manipulative way, but as a way of life. Give to others. Meet their needs. It’s the old saying: what goes around, comes around. Or the Golden Rule: treat others the way you wish to be treated.

We all know sometimes this will bite us. But it works. And it makes for a more contented life.

It’s definitely worked for Mr. Goins. He’s served up plenty of free, quality writing advice on his blog, and the gatekeepers are now coming to him with invitations.

My review copy is one of the free Kindle downloads he offered. I’m doing this review, not as repayment or even as a thank-you, but to help spread the word about a valuable resource that could make a difference in your life – if you are a writer.

Visit Jeff Goins, Writer for more about the author and to see what you can learn from his blog. You can also check out the You Are a Writer website for quotes, endorsements etc, or join the conversation on Twitter with the #youareawriter hashtag.

Fiction 101 writing course

Product Review: Fiction 101, by Randy Ingermanson

Fiction 101 writing courseFiction 101, by Randy Ingermanson

Best known as “the Snowflake Guy”, novelist Randy Ingermanson is a popular teacher of fiction writing techniques and marketing. His Fiction 101 is a series of lectures and handouts that writers can use as part of their professional development.

Some of the material included in this course is available on his website: definitions of different writing stages, the Snowflake method etc. I’d recommend checking out what writing level you’re at before buying, although even the most experienced writers can benefit from a refresher of fiction basics.

Fiction 101 is for people who want to write novels, and it looks at the craft and components – and the necessary commitment. Randy’s lectures are easy to follow and laced with humour. He gives practical examples of what works and what doesn’t, and often suggest books for further study.

The course looks at key issues like characters, motivation, point of view, plot (on three levels: the big picture [beginning – middle – end], the medium picture [scenes and sequels] and the little picture [motivation-reaction units]), dialogue, theme.

Fiction 101 wouldn’t be complete with Randy’s signature “Snowflake” method for novel design. If this course isn’t for you, you might still want to check out his Snowflake method.

He says he doesn’t teach writers to create, but to analyse and organize that creation. This can be done ahead of time or after the first draft, whichever suits your style. He encourages students to adapt the Snowflake stages to suit their needs.

To help you along, the course includes a blank character chart and a sample Snowflake and scene spreadsheet.

As well as the basic craft of fiction, Fiction 101 addresses work habits and conferences. These talks come at the end of the course, after we’ve studied the basics of the craft, and they’re very candid about the work involved. Having come this far, we’re not likely to scare easily, but if we’re to progress we need to be intentional.

Randy Ingermanson bills himself as “America’s mad scientist of fiction writing.” His monthly Advanced Fiction Writing E-zine always contains something helpful. It’s free, and back issues are available on the site. Along with his six novels, he’s also written Writing Fiction for Dummies.

Fiction 101 is available as an electronic download for $80 USD. You can listen to the first Fiction 101 lesson for free.

5 Online Writing Courses, Plus a Bonus

Online courses mean we can more easily fit lessons into our schedule, and we can learn in our favourite jammies.

Here are some that come highly recommended:

Donna Fawcett offers a one-on-one creative writing course consisting of ten online lessons on the basic elements of creating a manuscript, preparing it for publication and approaching the market in the correct manner. Technical aspects include creating characters, scenes and plots; practical applications include creating the query letter, dealing with scam agents and facing editing.

Elsie Montgomery offers a one-on-one course on How to Write Bible Studies. It’s an eight unit course, extensive, personalized instruction on writing the Bible study of your choice. Click here for syllabus (She also has intro booklets on writing non-fiction and Bible studies.)

Edie Melson offers one-on-one coaching on social networking. I’m in her ACFW class this month (see below) and can tell you she’s a great coach and gifted at communicating with people of all skill levels.

Lawson Writing Academy offers monthly group courses with Margie Lawson and other faculty. The one I took (Empowering Character Emotions) felt like a university-level workload. But did we learn!

One of the benefits of membership in ACFW (American Christian Fiction Writers – but they accept international members too) is the free monthly group courses on various aspects of fiction and marketing. Worth the annual membership fee!

For more, here’s an article by Joanne Sher that recaps what she learned through a Lawson Academy course as well as from some quality publications.

Write! Canada 2012

 

I look forward to the Write! Canada conference every year. It’s professional development, spiritual renewal and going home all in one, even though I’ve never lived in Guelph. The conference feels like home because among this eclectic mix of writers from beginners to professionals, I belong.

Have I published a novel yet by going? No. Have I improved the quality of said novel(s)? Significantly. Written other things? Yes. Found an agent? Yes. Been encouraged? Encouraged others? Yes to both. Made good friends? Definitely. Eaten well, slept little, laughed? Check, check, check.

Up to 250 Canadian writers and editors who are Christian will gather in Guelph, Ontario from June 14 to 16, 2012 for the 28th annual Write! Canada conference. Sponsored by The Word Guild, the conference features engaging keynote speakers, in-depth continuing classes, wide-ranging workshops, and a host of other learning and promotional opportunities.

Check out the faculty interviews and regular updates on the Write! Canada page. Registration is now open!